Richard Dean Taylor: From Humble Beginnings to Motown Royalty

Richard Dean Taylor was a renowned Canadian musician, singer, songwriter, and record producer who worked with Motown in the 1960s and 1970s. Despite being “one of the most underrated acts ever to record under the Motown aegis,” according to Jason Ankeny, Taylor was known for his chart-topping 1970 hit “Indiana Wants Me,” which hit No. 1 in Cashbox in the United States, was No. 2 in Canada and the UK, and peaked at No. 5 on the Billboard Hot 100.

Early Life and Career

Born on May 11, 1939, in Toronto, Ontario, Taylor began his career in 1961 as a pianist and singer with several country music bands in Toronto. He made his first recordings in 1961 for the Audiomaster record label. The following year, Taylor’s “At The High School Dance,” a single for Amy-Mala Records, became a minor success. His next single, “I’ll Remember,” on the Barry label, was a No. 23 success for Toronto rock and roll radio station CHUM, and the singer decided to relocate to Detroit, Michigan, to further his career.

Motown Career

In Detroit, Taylor auditioned for, and was hired by, Motown in 1964 as a songwriter and recording artist for the subsidiary V.I.P. label. Taylor’s scheduled first single for V.I.P. was the topical satire “My Ladybug (Stay Away From That Beatle)” in March 1964, but it was deemed too weak for release and was never issued.

It was not until November 1965 that Taylor’s debut V.I.P. single, “Let’s Go Somewhere,” was issued. Written by Taylor in conjunction with Brian Holland and produced by the team of Holland and Lamont Dozier, who had already produced five No. 1 scoring songs for The Supremes, the song was only a regional success in several U.S. cities and Toronto.

Taylor’s next single, “There’s A Ghost In My House,” written by the team of Holland–Dozier–Holland along with Taylor and again produced by Brian Holland and Lamont Dozier, was also a commercial disappointment in the US. However, it was a No. 3 hit in the UK Singles Chart in 1974. Taylor was also beginning to become a songwriter for other acts, as “I’ll Turn to Stone” by the Four Tops and “All I Need” by The Temptations were both charting US singles in 1967, co-composed by him.

In 1968, Taylor’s self-produced single “Gotta See Jane,” co-written with Brian Holland, became a Top 20 hit in the UK. After Holland, Dozier, and Holland left Motown, more success for Taylor came as a member of the Motown writing and production team known as “The Clan,” together with Frank Wilson, Pam Sawyer, and Deke Richards. This production group was briefly the prime creator of material for Diana Ross & the Supremes after the Holland-Dozier-Holland team left Motown. Among Taylor’s successful co-compositions and co-productions during 1968 and 1969 as a member of The Clan were Diana Ross & the Supremes’ No. 1 US hit “Love Child” and their Top 10 follow-up hit “I’m Livin’ In Shame.”

Peter Sampson
Peter Sampsonhttps://outonthefloor.co.uk
Fashionably late to the scene, I've wholeheartedly embraced the Mod spirit, resonating with Rhythm and Blues and Soul. For over five decades, my life has been an impassioned odyssey, where football and music unite in a heartfelt journey through the realms of Rock and Roll, Soul, Ska, and Brit Pop.

Latest

December 1966: The Final Burst of Cool British Singles

December 1966 was a month of transformation in British pop — when Cream found their sound, Hendrix arrived like a comet, and Bowie told tales of London youth. A final, thrilling burst before psychedelia took hold.

A Summer of Sound: Revisiting the British Pop Landscape of July 1966

Journey back to July 1966, a month of underrated singles, rising psychedelic influences, and unforgettable stories from Britain’s pop and beat scene—from The Troggs and Donovan to Joe Meek’s final productions and the shifting fortunes of Manfred Mann.

A Month in Melody: A Trip Back to the Singles of June 1966

Step back into June 1966 — a month bursting with trailblazing singles from The Beatles, The Kinks, The Hollies and a host of underground innovators. From chart-toppers to cult classics, this is the sound of Britain on the cusp of musical revolution.

Wimple Winch: From Merseybeat to Psychedelic Pioneers

Wimple Winch were a groundbreaking English psychedelic pop group who began as the Merseybeat outfit Just Four Men. Blending rich harmonies with inventive, often experimental songwriting, they became favourites of the northern underground scene.

May 1966: When British Pop Crossed into Psychedelia

May 1966 — a month when The Rolling Stones’ “Paint It Black”, The Yardbirds’ “Over Under Sideways Down”, and The Animals’ “Don’t Bring Me Down” defined the dawn of psychedelia.

Your Favourites

Al Wilson – The Soul Singer Behind “The Snake”

Al Wilson, (Allen LaMar Wilson) an American soul singer, is widely recognised for his million-selling hit “Show and Tell,” which topped the charts at No 1.

The British Invasion: When Britain Conquered American Music

Explore the vibrant era of the British Invasion, and discover how the music and fashion of this period continue to inspire and captivate audiences around the world.

The Creation: Leaving an Indelible Mark on Rock

The Creation's story is one of innovation, experimentation, and enduring influence. From their sonic experimentation to the posthumous acknowledgment by later generations, they carved a unique niche in the world of rock.

The Flamingo Club: A Soho Jazz Icon That Shaped an Era

The Flamingo Club was more than just a jazz nightclub; it was a cultural phenomenon that pushed boundaries and defied conventions. Its impact on music, fashion, and societal norms cannot be overstated.

Klooks Kleek: A Jazz and Rhythm ‘n’ Blues Haven in London

In its nine-year tenure, Klooks Kleek left an indelible mark on the musical landscape of London. From its humble beginnings as a jazz haven to its evolution into a rhythm 'n’ blues hub, the club served as a testament to the enduring power of live music.

The Artwoods: A Tale of Rhythm and Blues

While The Artwoods may not have achieved the dizzying heights of some of their contemporaries in terms of record sales, their influence on the British rhythm and blues scene remains undeniable.

The Rhythmic Tapestry: The Legacy of Ealing Jazz Club

The Ealing Jazz Club's legacy resonates in the chords of rock and blues, echoing through time. Its influence, captured in documentaries and the memories of those who graced its stage, continues to inspire.

Rediscovering Tobi Legend’s “Time Will Pass You By”

Tobi Lark, originally named Bessie Grace Gupton and later known as Bessie Watson and Tobi Legend, is an acclaimed Canadian soul and gospel singer of American origin.

Stuart Sutcliffe: The Original Bassist of the Beatles

Uncover the captivating story of Stuart Sutcliffe, the original bassist of the Beatles, in this in-depth article. Explore his dual identity as a painter and musician, the impact he had on the Beatles.

Unveiling the Legacy of Joe Meek

Joe Meek's prodigious talent and visionary approach to music production left an indelible mark on the music industry. Through his collaborations with a diverse array of artists and his groundbreaking recording techniques, Meek helped shape the sound of popular music in the 20th century.

Related Articles

France Gall: A Yé-Yé Icon Who Defined an Era

France Gall’s influence extended far beyond her chart-topping hits. Her music reflected the evolving cultural landscape of the 1960s and 1970s, bridging genres and breaking barriers.

The Legacy of Ian Stewart: Founding Member of The Rolling Stones

Ian Stewart, a co-founder and the original keyboardist of The Rolling Stones, was a vital yet often overlooked figure in rock history. Known for his boogie-woogie style and deep love of jazz, blues, and rhythm & blues, Stewart joined the band in 1962 and played an essential role in shaping their sound.

Long John Baldry: The British Blues Pioneer Who Shaped Rock Legends

Long John Baldry was more than just a blues singer—he was a bridge between generations of musicians, a mentor to future legends, and a pioneer in bringing American blues to British audiences.

Screaming Lord Sutch: The Man, the Myth, and the Music

Screaming Lord Sutch’s unique blend of music and politics made him a cultural icon. His horror-themed rock performances were pioneering, and his Monster Raving Loony Party campaigns brought humour to British politics while subtly addressing real issues.