Studio One: The Motown of Jamaica

Studio One stands as one of Jamaica’s most celebrated record labels and recording studios, often referred to as the “Motown of Jamaica.” This iconic label played a pivotal role in shaping the music scene of Jamaica throughout the 1960s and 1970s, traversing various musical movements, including ska, rocksteady, reggae, dub, and dancehall.

The Birth of Studio One

The inception of Studio One can be traced back to 1954, when it was founded by the legendary Clement “Coxsone” Dodd. However, it wasn’t until 1963 that the studio began cutting its first recordings on Brentford Road in Kingston. Among the earliest records to grace its catalog were tracks like “Easy Snappin” by Theophilus Beckford, with backing by Clue J & His Blues Blasters, and “This Man is Back” by the talented trombonist Don Drummond. Prior to founding Studio One, Coxsone Dodd had been involved with several other labels, including World Disc, and had gained recognition for running one of the largest and most reputable sound systems in Kingston, known as Sir Coxsone the Downbeat.

The Skatalites Era (1964-1965)

In the early 1960s, the house band that provided backing for vocalists at Studio One was none other than the Skatalites, a renowned group of musicians. The band’s members, which included Roland Alphonso, Don Drummond, Tommy McCook, Jackie Mittoo, Lester Sterling, and Lloyd Brevett, were handpicked by Coxsone Dodd from Kingston’s vibrant jazz scene. The Skatalites played a pivotal role in shaping the sound of Studio One during their tenure, a period marked by the evolution of ska.

However, in 1965, following Don Drummond’s incarceration for murder, the Skatalites disbanded. Coxsone Dodd then assembled a new house band, the Soul Brothers (1965–66), which would later become the Soul Vendors (1967) and Sound Dimension (1967-). These bands played a staggering number of rhythms, about 60 per week, with Jackie Mittoo serving as the music director. The line-up included Brian Atkinson, Hux Brown, Harry Haughton, Joe Isaacs, Denzel Laing, and a rotating cast of horn players, including Roland Alphonso, Dennis ‘Ska’ Campbell, Bobby Ellis, Lester Sterling, and others.

Nocturnal Sessions and Iconic Recordings

In the night time hours at Studio One from 1965 to 1968, a constellation of legendary singers, including Bob Marley, Burning Spear, The Heptones, and Rita Marley, among many others, would don headphones to record vocals to original tracks laid down by the Soul Brothers earlier in the day. These late-night sessions produced seminal recordings like “Real Rock” (by Sound Dimension), “Heavy Rock,” “Jamaica Underground,” “Wakie Wakie,” “Lemon Tree,” “Hot Shot,” “I’m Still In Love With You,” “Dancing Mood,” and “Creation Rebel.”

The Legacy of The Skatalites and Studio One

Jackie Mittoo, Joe Isaacs, and Brian Atkinson left Studio One in 1968 and moved to Canada, while the Soul Brothers (a.k.a. Sound Dimension) continued to influence reggae music in the late 1960s. Their original tracks have been versioned and re-versioned by numerous artists over the decades, including Shaggy, Sean Paul, Snoop Lion, The Clash, String Cheese Incident, UB40, Sublime, and countless others who sought to capture the magic of Studio One’s original Rock Steady sound.

The studio’s doors closed when Coxsone Dodd relocated to New York City in the mid-1980s. However, he continued to manage the label from his new base.

The Artists of Studio One

Studio One holds a treasure trove of music recorded and released by some of Jamaica’s most iconic artists. The list includes names like The Skatalites, The Ethiopians, Bob Marley and the Wailers, Lee “Scratch” Perry, Burning Spear, Toots & the Maytals, John Holt, Horace Andy, Ken Boothe, Freddie McGregor, Dennis Brown, Jackie Mittoo, Gladiators, Michigan & Smiley, Wailing Souls, Dillinger, Delroy Wilson, Heptones, Johnny Osbourne, Marcia Griffiths, Sugar Minott, The Abyssinians, Culture, Soul Vendors, Lone Ranger, Carlton and The Shoes, Alton Ellis, Willi Williams, Judah Eskender Tafari, and many more.

Additionally, Prince Buster, Studio One’s noted rival, launched his career working for Coxsone Dodd’s sound system. The studio also played host to renowned record producer Harry J, who recorded many of his best-known releases within its hallowed walls. Studio One’s influence on Jamaican music is immeasurable, and its legacy continues to resonate with music lovers worldwide.

Peter Sampson
Peter Sampsonhttps://outonthefloor.co.uk
Fashionably late to the scene, I've wholeheartedly embraced the Mod spirit, resonating with Rhythm and Blues and Soul. For over five decades, my life has been an impassioned odyssey, where football and music unite in a heartfelt journey through the realms of Rock and Roll, Soul, Ska, and Brit Pop.

Latest

December 1966: The Final Burst of Cool British Singles

December 1966 was a month of transformation in British pop — when Cream found their sound, Hendrix arrived like a comet, and Bowie told tales of London youth. A final, thrilling burst before psychedelia took hold.

A Summer of Sound: Revisiting the British Pop Landscape of July 1966

Journey back to July 1966, a month of underrated singles, rising psychedelic influences, and unforgettable stories from Britain’s pop and beat scene—from The Troggs and Donovan to Joe Meek’s final productions and the shifting fortunes of Manfred Mann.

A Month in Melody: A Trip Back to the Singles of June 1966

Step back into June 1966 — a month bursting with trailblazing singles from The Beatles, The Kinks, The Hollies and a host of underground innovators. From chart-toppers to cult classics, this is the sound of Britain on the cusp of musical revolution.

Wimple Winch: From Merseybeat to Psychedelic Pioneers

Wimple Winch were a groundbreaking English psychedelic pop group who began as the Merseybeat outfit Just Four Men. Blending rich harmonies with inventive, often experimental songwriting, they became favourites of the northern underground scene.

May 1966: When British Pop Crossed into Psychedelia

May 1966 — a month when The Rolling Stones’ “Paint It Black”, The Yardbirds’ “Over Under Sideways Down”, and The Animals’ “Don’t Bring Me Down” defined the dawn of psychedelia.

Your Favourites

Al Wilson – The Soul Singer Behind “The Snake”

Al Wilson, (Allen LaMar Wilson) an American soul singer, is widely recognised for his million-selling hit “Show and Tell,” which topped the charts at No 1.

The British Invasion: When Britain Conquered American Music

Explore the vibrant era of the British Invasion, and discover how the music and fashion of this period continue to inspire and captivate audiences around the world.

The Creation: Leaving an Indelible Mark on Rock

The Creation's story is one of innovation, experimentation, and enduring influence. From their sonic experimentation to the posthumous acknowledgment by later generations, they carved a unique niche in the world of rock.

The Flamingo Club: A Soho Jazz Icon That Shaped an Era

The Flamingo Club was more than just a jazz nightclub; it was a cultural phenomenon that pushed boundaries and defied conventions. Its impact on music, fashion, and societal norms cannot be overstated.

Klooks Kleek: A Jazz and Rhythm ‘n’ Blues Haven in London

In its nine-year tenure, Klooks Kleek left an indelible mark on the musical landscape of London. From its humble beginnings as a jazz haven to its evolution into a rhythm 'n’ blues hub, the club served as a testament to the enduring power of live music.

The Artwoods: A Tale of Rhythm and Blues

While The Artwoods may not have achieved the dizzying heights of some of their contemporaries in terms of record sales, their influence on the British rhythm and blues scene remains undeniable.

Rediscovering Tobi Legend’s “Time Will Pass You By”

Tobi Lark, originally named Bessie Grace Gupton and later known as Bessie Watson and Tobi Legend, is an acclaimed Canadian soul and gospel singer of American origin.

The Rhythmic Tapestry: The Legacy of Ealing Jazz Club

The Ealing Jazz Club's legacy resonates in the chords of rock and blues, echoing through time. Its influence, captured in documentaries and the memories of those who graced its stage, continues to inspire.

Stuart Sutcliffe: The Original Bassist of the Beatles

Uncover the captivating story of Stuart Sutcliffe, the original bassist of the Beatles, in this in-depth article. Explore his dual identity as a painter and musician, the impact he had on the Beatles.

Unveiling the Legacy of Joe Meek

Joe Meek's prodigious talent and visionary approach to music production left an indelible mark on the music industry. Through his collaborations with a diverse array of artists and his groundbreaking recording techniques, Meek helped shape the sound of popular music in the 20th century.

Related Articles

December 1966: The Final Burst of Cool British Singles

December 1966 was a month of transformation in British pop — when Cream found their sound, Hendrix arrived like a comet, and Bowie told tales of London youth. A final, thrilling burst before psychedelia took hold.

A Summer of Sound: Revisiting the British Pop Landscape of July 1966

Journey back to July 1966, a month of underrated singles, rising psychedelic influences, and unforgettable stories from Britain’s pop and beat scene—from The Troggs and Donovan to Joe Meek’s final productions and the shifting fortunes of Manfred Mann.

A Month in Melody: A Trip Back to the Singles of June 1966

Step back into June 1966 — a month bursting with trailblazing singles from The Beatles, The Kinks, The Hollies and a host of underground innovators. From chart-toppers to cult classics, this is the sound of Britain on the cusp of musical revolution.

Wimple Winch: From Merseybeat to Psychedelic Pioneers

Wimple Winch were a groundbreaking English psychedelic pop group who began as the Merseybeat outfit Just Four Men. Blending rich harmonies with inventive, often experimental songwriting, they became favourites of the northern underground scene.